Nowomiast Mojszes Hersz Stanislaw
Visa no. 1380 · Kaunas, 7 August 1940
Nowomiast Mojszes Hersz Stanislaw received transit visa no. 1380 at the Japanese consulate in Kaunas on 7 August 1940. The register records merchant, aged 32.
What the register records Nationality as recorded Polnisch Age in 1940 32 Occupation Merchant Family, per the Kitade-Bluman list husband of #1381, daughter Miriam
The journey Reached Japan; reached Shanghai; registered in Kobe for Brazil.
Where this comes from The Shanghai Ledger — register of Polish citizens kept by the Consulate of Poland in Shanghai, 1934-1943 (original at the Archives of the Polish Ministry of Foreign Affairs, ref. 43/2003; digitised by the Library of Congress; indexed as… Registered with the Polish Consulate in Shanghai (ledger entry 1522); the register line's repaired reading and the ledger agree exactly — matched on the repaired register name, approved under the owner's review of 19 Aug 2026 United States National Archives, Record Group 84 — Records of the Foreign Service Posts of the Department of State: 'Classified Visa Files, 1946-1951', U.S. Consulate General, Shanghai (NAID 2123997; HMS/MLR entry UD 2335-A; accession NN… Named in the applicant list for the U.S. Consulate General's Shanghai visa files as “Nowomiast, Mojzesz and Nina” — a couple. This register line is Nowomiast Mojszes Hersz Stanislaw, a merchant of 32, and the line beneath it is his wife, Nowomiast Mina. Nowomiast is a rare surname; the husband's given name matches; Mina and Nina are one letter apart and the clerk who typed one had no reason to be careful about the other; and both are already documented in Shanghai on the Polish consulate's own register. A case file for them should exist in Box 8.
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Nowomiast Mojszes Hersz Stanislaw is one of 2,140 people recorded in the surviving register of the transit
visas Chiune Sugihara issued at the Japanese consulate in Kaunas, Lithuania, in 1940.
The Sugihara Visa Archive · how this was compiled
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Parts of this site and its research were compiled with the help of Anthropic’s Claude and
may contain errors — corrections are welcome.